It's the nervousness, more than anything, that catches Susan's eye, and it's only then that she recognises the woman from the cells. They haven't talked a great deal, but Susan's done her best to remember the faces of her fellow-prisoners (and continued to think of them as her fellows, even though she was released before some of them even got here), and she's got a good memory.
She's not heading anywhere in particular - mostly just out walking to clear her head, away from the people she gave up her love for - and so it's not out of her way to turn and head towards the dark-haired young woman. Susan herself is still in the clothes she was wearing at the execution, a loose shirt, jacket, and pants, her hair braided down her back. The only addition she's made is a serape fashioned out of a blanket, which is partly for the sake of keeping her warm, and mostly for the sake of giving a little more coverage to the lump of Roland's revolver tucked away inside her jacket.
She whistles through her teeth to draw the other woman's attention, sharp and piercing, and turning a couple of heads momentarily towards her. "Sai!"
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She's not heading anywhere in particular - mostly just out walking to clear her head, away from the people she gave up her love for - and so it's not out of her way to turn and head towards the dark-haired young woman. Susan herself is still in the clothes she was wearing at the execution, a loose shirt, jacket, and pants, her hair braided down her back. The only addition she's made is a serape fashioned out of a blanket, which is partly for the sake of keeping her warm, and mostly for the sake of giving a little more coverage to the lump of Roland's revolver tucked away inside her jacket.
She whistles through her teeth to draw the other woman's attention, sharp and piercing, and turning a couple of heads momentarily towards her. "Sai!"