Are you seriously pretending to be a statue in a graveyard right now? How depressing are you going to make today, Dad?
[ Jesper appears as a crow with glowing patterns and flutters onto a gravestone, transforming only a second later to his godly form, which is not ultimately that different from how he always looked. Except there is glow to his skin, a warmth to his presence, a magnetic energy that goes along with him that can bring all attention directly in his direction everywhere he goes. It is difficult to tone that down when he pretends to be human, his natural allure downright distracting, but he isn't bothering to at the moment. It doesn't need to be romantic for his presence to draw people in, he is naturally enrapturing.
Jesper lives part of his time in the Free Cities now because he and Hilda went back to their creative routes centuries ago and started developing fashion again. They were tired of seeing their old work turn into relics in museums. When it's just him, he tends to be with the Fey, they throw the best parties, but his fake human life is back here. They have a fun time coming up with entire new personas and backgrounds while they waste their endless time making beautiful clothes. So he is usually aware when other gods are wandering through.
When he transforms he's leaning on the gravestone casually, arms crossed against his chest, dressed in his own fashion. Jesper raises his eyebrows at the statue, knowing all too well who it is, as he has for centuries. And this is far from the first or last time he will call his step-father out on his particular brand of nonsense. It comes from a place of love, as the familial title suggests. Sam may be his actual father (as far as he knows), but so is this drama queen. ]
The only humans you're going to see here are in mourning. There's a music festival in Libertas. You're coming with me.
i.
[ Jesper appears as a crow with glowing patterns and flutters onto a gravestone, transforming only a second later to his godly form, which is not ultimately that different from how he always looked. Except there is glow to his skin, a warmth to his presence, a magnetic energy that goes along with him that can bring all attention directly in his direction everywhere he goes. It is difficult to tone that down when he pretends to be human, his natural allure downright distracting, but he isn't bothering to at the moment. It doesn't need to be romantic for his presence to draw people in, he is naturally enrapturing.
Jesper lives part of his time in the Free Cities now because he and Hilda went back to their creative routes centuries ago and started developing fashion again. They were tired of seeing their old work turn into relics in museums. When it's just him, he tends to be with the Fey, they throw the best parties, but his fake human life is back here. They have a fun time coming up with entire new personas and backgrounds while they waste their endless time making beautiful clothes. So he is usually aware when other gods are wandering through.
When he transforms he's leaning on the gravestone casually, arms crossed against his chest, dressed in his own fashion. Jesper raises his eyebrows at the statue, knowing all too well who it is, as he has for centuries. And this is far from the first or last time he will call his step-father out on his particular brand of nonsense. It comes from a place of love, as the familial title suggests. Sam may be his actual father (as far as he knows), but so is this drama queen. ]
The only humans you're going to see here are in mourning. There's a music festival in Libertas. You're coming with me.