[There's a gentle lift of the eyebrows because we don't do that in 1400s Wallachia.]
Well, it depends on a few factors. My first real project was a historic restoration of a public hall which is now primarily a concert space. When Libertas was bombed last year, a number of their theatres were destroyed, so that has been my primary work since. The hall was originally built when Thorne held the Free Cities, and it had an interesting combination of magic and architecture that naturally enhances sound. Figuring out how it worked and restoring it has influenced my thoughts about how the two can be combined for contemporary performance spaces in particular.
no subject
[There's a gentle lift of the eyebrows because we don't do that in 1400s Wallachia.]
Well, it depends on a few factors. My first real project was a historic restoration of a public hall which is now primarily a concert space. When Libertas was bombed last year, a number of their theatres were destroyed, so that has been my primary work since. The hall was originally built when Thorne held the Free Cities, and it had an interesting combination of magic and architecture that naturally enhances sound. Figuring out how it worked and restoring it has influenced my thoughts about how the two can be combined for contemporary performance spaces in particular.