[Alucard takes a few more steps backwards, moving deeper into the concert space itself. He wants to be in the midground, off to one side, just to see what happens with the notes of the lute. It is experimentation to be sure, even if it is not the sort he is used to by any stretch of the imagination.
In moments, there's notes moving through the hall. Even away from the podium, the place's magic seems to key into the performer versus those listening.]
Mm. The ceilings would suggest that is the case. What I am finding is that the magic functions through a combination of elaborate circles on the floorboards, made from carvings as well as how the nails themselves are hammered in to make certain shapes, and some spells that are very literally in the stone of the building.
no subject
[Alucard takes a few more steps backwards, moving deeper into the concert space itself. He wants to be in the midground, off to one side, just to see what happens with the notes of the lute. It is experimentation to be sure, even if it is not the sort he is used to by any stretch of the imagination.
In moments, there's notes moving through the hall. Even away from the podium, the place's magic seems to key into the performer versus those listening.]
Mm. The ceilings would suggest that is the case. What I am finding is that the magic functions through a combination of elaborate circles on the floorboards, made from carvings as well as how the nails themselves are hammered in to make certain shapes, and some spells that are very literally in the stone of the building.