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abraxaslogs2021-08-28 09:41 pm
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Entry tags:
- !event,
- !npc,
- alina starkov; the hanged man,
- amos burton; the lovers,
- cirilla of cintra; the devil,
- coraline finch; the tower,
- estinien wyrmblood; the hermit,
- geralt of rivia; the hanged man,
- gideon nav; strength,
- hector; the magician,
- himeka sui; the fool,
- jaskier; the sun,
- jon sims; the high priestess,
- jon snow; the emperor,
- kiryu kazuma; the tower,
- sam wilson; justice
WELCOME TO THE FREE CITIES!
WELCOME TO THE FREE CITIES!
Welcome to The Free Cities! The portal exits outside the capital city of Cadens. The first impression of the city is its sheer size. It sprawls out across the landscape like a great hulking beast at rest. The wall that encircles it barely contains it, the buildings of Cadens practically bulging against its restraint.
The air here seems thicker somehow, tinged with a scent that’s acrid and smoky. Smog hangs high over the city, belched out by smokestacks that tower over the industrial district. The desert stretches out behind it, dotted with towers and dust clouds that disappear into the horizon. Multiple gates lead inside and each is staffed by soldiers in unfamiliar uniforms that wave a steady stream of people through without appearing to pay much attention. People are coming and going almost all of the time, to and from the outposts and areas of activity around the city proper. It’s difficult to tell just what’s out there beyond the impression of tall metal structures and a great deal of labor. Wagons carrying travelers to Libertas and Aquila roll out from the Travel Post outside the city wall.
Anyone who can sense magic will notice a much lower concentration here. No one will be stopped or questioned at the gate, even if the soldiers seem to take note of the fugitives from Thorne.
The activity and sheer number of citizens can be overwhelming. It’s crowded and loud and feels constantly in motion with everyone talking and yelling over each other. It’s easy to get swept up in the ever-moving throng or find oneself ducking into the mouth of a narrow alley just to breathe.
Anyone who’s willing to make their way to the northern part of the city and Portham Hall will find Prime Minister Marlo Reiner available to receive them.
The air here seems thicker somehow, tinged with a scent that’s acrid and smoky. Smog hangs high over the city, belched out by smokestacks that tower over the industrial district. The desert stretches out behind it, dotted with towers and dust clouds that disappear into the horizon. Multiple gates lead inside and each is staffed by soldiers in unfamiliar uniforms that wave a steady stream of people through without appearing to pay much attention. People are coming and going almost all of the time, to and from the outposts and areas of activity around the city proper. It’s difficult to tell just what’s out there beyond the impression of tall metal structures and a great deal of labor. Wagons carrying travelers to Libertas and Aquila roll out from the Travel Post outside the city wall.
Anyone who can sense magic will notice a much lower concentration here. No one will be stopped or questioned at the gate, even if the soldiers seem to take note of the fugitives from Thorne.
The activity and sheer number of citizens can be overwhelming. It’s crowded and loud and feels constantly in motion with everyone talking and yelling over each other. It’s easy to get swept up in the ever-moving throng or find oneself ducking into the mouth of a narrow alley just to breathe.
Anyone who’s willing to make their way to the northern part of the city and Portham Hall will find Prime Minister Marlo Reiner available to receive them.
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He shakes his head, pulling himself out of that moment.] It was an accident, and then I learned how to do it on purpose. I must have looked to been two and a half? Three? [Looked.] Learning I could fly was the larger problem. I could float up, but not down, and the rooms had high ceilings. It happened during the daylight once and--
[Yeah. It was a disaster. One that gets the faintest of laughs.]
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He gives a soft snort. Of course Alucard can fly. Floated as an boy, apparently. What was it like? To discover your abilities in a way that brings wonderment and curiosity? He doesn't want to say he feels envy, nor resentment. It isn't that. He's long moved past those feelings. But. He can't help but think, knowing that Visenna is a sorceress, if she had not chosen what she did—if he would've been with her as he discovered his own conduit moment. If she would've watched him learn magic of his own.
He pushes the thoughts out of his mind. ] Just don't float in here. I don't want you stuck to my ceilings.
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[There's something approaching a dark humor in the response, the first Alucard's ever even attempted in Geralt's presence. But he abides by the request all the same, feet planted on the ground.
What is it about monster hunters and unhappy childhoods? The Belmont's went up in smoke. He's here observing this. Perhaps it is a part of the job. What makes one willing to do the work in the first place.
But Alucard doesn't press the issue. He falls into silence, eyes roaming the room in order to take in the little details.]
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[ He lets the silence fall. What's he doing here with a vampire who isn't a vampire? In truth, he isn't certain. Lately, it's beginning to feel like he isn't sure what he's doing at all. He's grasping, at something, a purpose he has found in Cirilla but which he doesn't know he can do. If he can keep her as safe as he's promised.
For awhile, he just finishes off the fish Alucard has brought. A gift, formulated from thin air, which they're both pretending is real because this plane is what it is and thinking about it too much gives him a damn headache. He can see Alucard watching, drawing conclusions, and Geralt decides not to dig deep. People have thought what they will of him for a long time now. ]
If you're looking for more than what's here, there isn't. [ It's just this. Hollow, more than anything. ]
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[Not here, obviously. The real one. Alucard has to assume that it is the case, but he wants to be sure.]
How many centuries did it take to amass?
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[ Much larger. Vast. And just as empty. He's crafted only what he needs to: a balance of the things that he can't get rid of without feeling as if he's compromising what makes it home (the bones, the medallions, the rundown walls) and what he simply doesn't want people to know (the rooms of his brothers, the lab, the armory. There is no underground level that he's created, as far as he's aware.)
As for how many centuries -- ]
Many. [ He doesn't know, precisely. There are no records pertaining to any of this. ] I wasn't here for it.
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I think it always comes to this.
[Loneliness. Isolation. Pulling away from society.]
My father earned his reputation. Preferred his solitude as well. A single family took the purpose of trying to destroy him over the centuries. Their house fell to accusations of witchcraft and fire as well.
[Too many repeated themes, so far as Alucard's concerned.] Their last heir would be right at home here.
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People like to turn their attentions to what they don't understand. [ He doesn't quite shrug, but his tone makes it so he may as well have. ] It lets them pretend they've done something worthwhile, so they can ignore that they can't help their failing crops and starving children.
[ Is that all there is to it? Maybe. Sometimes. These are ruminations Geralt prefers not to spend too much time on. It feels wasted. He can understand them and still have nothing with which to change them. At this point, he no longer cares to, either. ]
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[Almost to himself, the dhampir sighs.] My parent's perpetual debate. [Why it was Dracula fell in love with a mortal woman, even. But he doesn't dare to say that part out loud. That is still too personal.
But this explains a few things, doesn't it? Like sometimes attracts like, and here Alucard can feel some familiarity in the isolation. Geralt's circumstances are more like Trevor's of course, but that didn't stop the Belmont from being a lonely thing either.
Fuck, but this is depressing. He misses the cabin.]
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I can guess who fell on which side.
[ He's right, isn't he? Alucard has never spoken any of it out loud, but between Hector's blunt assessment of Alucard's father after his wife's death, Alucard's fondness and willingness to speak of his mother compared to his avoidance of anything to do with his father, the corpses that burned in the tunnels—he can guess.
Though he can't say what conclusions he can draw from it even so. It isn't his business. ]
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[They were both forces of nature. Together, they were better than they ever were apart.
Alucard seems to deflate as he trails off. He can't know that Hector's shared even a portion of what happened, but he is aware of the direction this stands to go in if he keeps talking. Maybe Geralt's not the worst person to admit patricide to, given the circumstances and the Witcher's profession, but he's never quite said what happened out loud before. He's never had to. Trevor and Sypha were there. Hector could infer. Sumi and Taka were...they only worried about the castle and fighting vampires.
Their images conjure an actual shudder, and Alucard find himself pulling his coat around him tighter, burrowing into the furs.]
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[ Just saying. Geralt lets Alucard trail off without pushing for more. Not yet, at least. It isn't so much a lack of interest as he can sense that Alucard is working towards something for himself, and Geralt has learned well enough over the decades when to press and when to let the confessions run their course.
Especially when he isn't here to interrogate anyone or pick apart a mystery. Alucard is simply...what he is to Geralt is undetermined, hard to place. They aren't friends. Geralt neither trusts him nor distrusts him. Maybe Geralt has just placed the decision as to what they are in Alucard's hands altogether. To let the vampire sort that out on his own, whenever he gets around to it.
Either way, the regrets Alucard carries with him like a shroud has been hard to miss from the start. He just doesn't know what that regret is about. For not doing enough to save his mother? For letting his father sink into despair and madness? All of it, perhaps. ]
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Perhaps it's one of the advantages of not being subtle - that everything Alucard is and isn't sits on the surface. That he's just a depressed thing and terrible at navigating it. That all of it weighs him down, and it isn't something he has shrugged off.
There's some wisdom with age that Alucard could never gain from his father's people. They aren't like that. And while Geralt isn't like that either, he's probably a better source.
The words that come out next are soft. Delicate. Aware that he may be treading on tender ground in spite of a good front.] How do you move on from a loss like this?
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He was taught to survive. That's what it comes down to. Nothing more, nothing less. If Alucard is seeking something better, something more profound, he will not find it here with a Witcher. ]
You don't. [ The answer is blunt, but not unkind. ] The world will move on for you. And you can move with it or let yourself be swept away. That's your choice.
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The bluntness is appreciated. He nods, understanding.]
And regrets are the same way, in your experience?
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[ That's mostly all it is. Moving forward. Sometimes it works, sometimes it doesn't. Sometimes he still dreams of things from thirty, fifty, a hundred years ago. In the end, he's come to realize nothing good can be found in pulling apart old scars.
It doesn't mean he forgets. In a way, he doesn't want to forget, either. He's never harboured a desire to erase his past. To change course. It's made him what he is, for better or worse. ]
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The word repeats itself several times, with Alucard quietly ruminating on it. If he should give context. If he should settle into awkward and awful silence or clarify.
What he says next is barely above a whisper, eyes focused on anywhere but Geralt.]
I killed my father.
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Either way, he doesn't react for a long while. His eyes are fixed on Alucard while Alucard looks everywhere else, sharp and examining.
Geralt holds no real concept of familial loyalty to one's blood relations. He understands, better than anyone, that blood often means nothing. And if Alucard had confessed this earlier, before he's grasped the way Alucard was raised, the type of person Alucard is, he'd not have blinked twice over it. But he's heard the warmth in how Alucard speaks of his childhood.
He does not ask why. That's not the right question here. Instead he asks, ] Who were you trying to save?
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Moreover, Geralt is a hunter. Dracula, for all the many wonderful things he was in Alucard's lifetime and in his relationship with Lisa of Lupu, was a monster who earned the reputation he did. None of that makes it easier, but it is rationalization for the dhampir.
His eyes settle on a window that looks out into the snow beyond.]
He'd have destroyed the whole country and all within to avenge my mother's execution.
[Not murder. Execution. That's what it was in the end, and for what? An ambitious bishop? For respect? Alucard still can't understand it, and he still can hear the argument that preceded the worst of what was to come.
Only the priest. Those who caused this, not the whole of Wallachia. He breathes out, half expecting his breath to cloud in front of him. His hands curl, withdrawing into the sleeves of his coat.] My mother's memory. Everything he did in her name went against all she stood for and all she asked of him.
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He considers, if he'd been there—would he have been the one who intervened? Maybe. Maybe not. He can see himself walking away as easily as he would not have. Conflicts born of vengeance and cruelty are not reasons a Witcher takes a contract. (And yet.) ]
You know your reasons. [ Geralt meets Alucard's gaze. ] Even if the world may not.
[ Is it enough? No. It rarely is. But it's what they have at the end of the day. ]
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[Alucard woudln't have asked otherwise.
There is no part of the dhampir that does not doubt he made the right choice. Not for the sake of Wallachia, but for his own father's sake. The world's longest suicide note, after all.
A part of Alucard still dwells in those last moments though. The realization of what his father was doing, how it seemed that perhaps he might be brought back from the brink of madness. That maybe they could learn to live together in Lisa's absence after all, the world still in tact.
He doesn't fold in on himself. Alucard does close his eyes though, silence settling in like a layer of snow. Besides, what else does one say to any of this?
At least he knows how to trade in silences with Geralt. Being forced into a small room with others will lend itself to that.]
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Eventually, he leans back on his hands. ] Next time you come by, bring some wine.
[ Alucard will be the first vampire to receive an open invitation to return to Kaer Morhen. (Well. A version of Kaer Morhen.) But frankly, he'd rather Alucard come here with a basket of fish and to ruminate than snap at hapless shopkeepers. Besides, they're all trapped on this world together at the end of the day. ]
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He leans back in the chair, opening one eye to focus on Geralt.]
Red, white, or surprise you?
[The only question he has left in him today.]
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Red.
[ All right, maybe he's thinking a little about Jaskier's wine, and his grapes. It's good fucking wine. Geralt might drink cheap shit out of necessity half the time, but it doesn't mean he hasn't got a taste for fine liquor when the opportunity arises. Which it does, in here.
He does not address the fact that he can, in theory, summon all manner of fine things for himself as he desires. But that's not something he wants to touch upon, letting himself create without limit. His mind has, too often in this place, betrayed him. ]