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abraxaslogs2021-10-06 12:57 am
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WHO: Jon and Kiryu, Jon OTA
WHAT: Conversation, life in Libertas, Horizon
WHEN: October catch-all
WHERE: Libertas and the Horizon
NOTES: I'm happy to add prompts for anyone who'd like Jon for something more specific.
WARNINGS: TBD.
A good amount of business is done in the bathhouses of Libertas, which is why they're everywhere throughout the colorful city. They're the counterpart to the street-side cafes – cafes are for intellectual, political, and philosophical discourse, and the baths are for business matters.
Jon did not think he'd be a fan.
Perhaps it was the privation of the dungeons, or just the oasis of humidity in the desert city, but he's in danger of becoming a regular at a bathhouse near the shared rooms. It's a small place, just a door off an alley with the telltale blue glass panes in the transom window above it. The owners, a pair of women who chatter endlessly as they work but are happy to leave their customers alone, already recognize him. He only has to lift a hand in polite greeting before they've handed him two rolled towels, with two more for his companion.
“The white room is free, friends,” says Safiya, including them both with her dazzling grin. “You two get settled, and Miri will bring you some fresh fruit.”
About Town – Libertas
Jon took a while to come out of his shell, even though he knows Thorne has no intention – yet – of following him here. But he's out and about more and more often as he acclimates. There's a cafe with passable tea across the street from where he and his friends are staying. He regularly visits the central square, staying if there's a debate happening, listening intently. When he has money, he scours the bookstores, too many eyes wide open as he lets his hand be guided towards books that have something to offer him.
There's no hiding that he's not of this place – no one here covers their face, and the extra eyes open almost anywhere they please. But when he gets cornered over it, it's nearly always someone who wants to ask questions, not object to his presence. Nearly always.
Horizon – Anyone
In the Horizon, Jon's Panopticon still stands, though its walls look more ragged by the day. The half-fallen ceiling continues to look like a massive eye, but it no longer has the oppressive feeling of watching. The fog is gone from the open cells – instead, sunlight from no sun shines in. There is frequently a grey fluff of a cat sleeping in whatever spot is particularly sunny, and the air inside is warm and still. Except when it's disturbed by more falling masonry. At least it's considerate enough to never hit anyone.
He's cleaned up the rubble of timber from the gallows, but it's still present. He's banished it a few times, but it returns when his mood sinks. So he gave up on that, and the shattered timbers lean against the brick wall near the main entrance, along with the dismantled doors.
The only door at all left in the place, it seems, is the reinforced door to the bottom of the central tower, which is now locked when Jon isn't present. When he is, he usually leaves it open.
The stairs inside are still painted to resemble a bookshelf, the books all title-less. But the room at the top is no longer the austere cement guardhouse it was, with its wooden throne and file cabinets. It's a cabin now, sparse but unmistakably comfortable. The furniture is well-worn and utilitarian; a sofa, a hard-scrubbed table with burn marks and two chairs, a kitchenette, an electric kettle. A wood-stove and woodpile, the bed close by but at a safe distance. The throne is here sometimes – Jon keeps it pushed against the wall when it is, usually with something piled on it. The files are not. He's taken those to Martin's domain. Looking out any window stands an equal chance of showing you the craggy green hills of the Scottish lowlands or the cement amphitheater of the Panopticon. In either case, there are sometimes cows to be seen, but only through the windows.
They're good cows.
WHAT: Conversation, life in Libertas, Horizon
WHEN: October catch-all
WHERE: Libertas and the Horizon
NOTES: I'm happy to add prompts for anyone who'd like Jon for something more specific.
WARNINGS: TBD.
Respite – Kiryu
A good amount of business is done in the bathhouses of Libertas, which is why they're everywhere throughout the colorful city. They're the counterpart to the street-side cafes – cafes are for intellectual, political, and philosophical discourse, and the baths are for business matters.
Jon did not think he'd be a fan.
Perhaps it was the privation of the dungeons, or just the oasis of humidity in the desert city, but he's in danger of becoming a regular at a bathhouse near the shared rooms. It's a small place, just a door off an alley with the telltale blue glass panes in the transom window above it. The owners, a pair of women who chatter endlessly as they work but are happy to leave their customers alone, already recognize him. He only has to lift a hand in polite greeting before they've handed him two rolled towels, with two more for his companion.
“The white room is free, friends,” says Safiya, including them both with her dazzling grin. “You two get settled, and Miri will bring you some fresh fruit.”
About Town – Libertas
Jon took a while to come out of his shell, even though he knows Thorne has no intention – yet – of following him here. But he's out and about more and more often as he acclimates. There's a cafe with passable tea across the street from where he and his friends are staying. He regularly visits the central square, staying if there's a debate happening, listening intently. When he has money, he scours the bookstores, too many eyes wide open as he lets his hand be guided towards books that have something to offer him.
There's no hiding that he's not of this place – no one here covers their face, and the extra eyes open almost anywhere they please. But when he gets cornered over it, it's nearly always someone who wants to ask questions, not object to his presence. Nearly always.
Horizon – Anyone
In the Horizon, Jon's Panopticon still stands, though its walls look more ragged by the day. The half-fallen ceiling continues to look like a massive eye, but it no longer has the oppressive feeling of watching. The fog is gone from the open cells – instead, sunlight from no sun shines in. There is frequently a grey fluff of a cat sleeping in whatever spot is particularly sunny, and the air inside is warm and still. Except when it's disturbed by more falling masonry. At least it's considerate enough to never hit anyone.
He's cleaned up the rubble of timber from the gallows, but it's still present. He's banished it a few times, but it returns when his mood sinks. So he gave up on that, and the shattered timbers lean against the brick wall near the main entrance, along with the dismantled doors.
The only door at all left in the place, it seems, is the reinforced door to the bottom of the central tower, which is now locked when Jon isn't present. When he is, he usually leaves it open.
The stairs inside are still painted to resemble a bookshelf, the books all title-less. But the room at the top is no longer the austere cement guardhouse it was, with its wooden throne and file cabinets. It's a cabin now, sparse but unmistakably comfortable. The furniture is well-worn and utilitarian; a sofa, a hard-scrubbed table with burn marks and two chairs, a kitchenette, an electric kettle. A wood-stove and woodpile, the bed close by but at a safe distance. The throne is here sometimes – Jon keeps it pushed against the wall when it is, usually with something piled on it. The files are not. He's taken those to Martin's domain. Looking out any window stands an equal chance of showing you the craggy green hills of the Scottish lowlands or the cement amphitheater of the Panopticon. In either case, there are sometimes cows to be seen, but only through the windows.
They're good cows.
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"He thought my power was summoning the tape recorders. I- ah, may have encouraged that."
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"I may have encouraged that too." He stares up at the ceiling mostly to look somewhere. "Though to be fair, I never thought you needed to know everything like that about someone to know who they are."
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"I try not to. Where I know it might... dig deeper than intended."
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"I wouldn't mind answering your questions. If you ever needed it."
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"I'm not there yet. But thank you."
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"I know some people have misgivings about men like me. And I want you to feel..." he frowns a little stronger, "as safe as you can, considering."
You were on death row. He's talked to Saejima-san about this kind of thing. It never entirely leaves you.
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"Safe isn't- I don't think that's in the cards for me. But I feel- out of immediate harm's way, here. Safer than I felt in Cadens."
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While this isn't his world, this is his kind of city. And cities like this are the best at taking in strays and outcasts. It was built for it, had places for them, welcomed them even if that welcome came with concerns to be managed. Much better than Thorne for him, though. Even before Jon'd been on the chopping block.
"Safer than I feel in... the Horizon."
Someone might be avoiding it a little bit.
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"I feel like answers are in the Horizon. But there's a lot about it I can't see. It's too- fluid. Too many people shaping it."
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Now, though.
"I'll go if there's a good reason or if you need back up, but I'm not sure if it's a good idea otherwise."
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"Is that a problem?"
There's nothing defensive. He's just not sure where Jon's going with this.
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"Reminders?"
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“You go so often?”
Maybe he’s over-reacting. It’d seemed such a momentous thing that one time.
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There's no real need to discuss that. Kiryu can respect it. He nods.
"The only other person from my world is Majima-san. And he... has his own reasons not to go there."
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"He gets more than just a reminder," he says gently, "and his reminder is from the world he came from, what I know of as the past."
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