speak_n_spell (
speak_n_spell) wrote in
abraxaslogs2021-12-06 09:21 pm
[Open] Find Your Feet
WHO: Sypha Belnades & Sundry
WHAT: December logs and CR starters
WHERE: Cadens - Catterborough Theater, Cadens - The Hall of Natural Relics
WHEN: Winter in the Desert 1) At the Cat
When she'd said 'thank you no thank you' to a position at the outpost, the welcoming committee who'd drawn her from the summoning pool had politely shown her to the gate. As if she'd asked to be here in the first place, thank you very much! Sypha'd huffed, grabbed what few things she'd earned during her recovery, and hopped the next supply wagon to Cadens.
Work wasn't exactly scarce, but her usual methods of sussing it out simply didn't apply in a new world, an alien culture. She'd resorted to marching up to shopkeepers and asking pointblank where she might find a decent day's pay. Only, it turned out the skills sought out in rural Wallachia (scribing, arithmetic, tutoring children) were, if not commonplace in Cadens, at least easily accomplished by any passing student. The market was glutted with such helpers!
At the end of her patience and her purse, Sypha'd snapped. Literally. When asked what she had to offer, she'd snapped her fingers and summoned a glowing ball of fire beneath the nose of a bored inn host. He'd been...not impressed, exactly, but at least mildly interested, and suggested she try her luck at the theaters. The Cat, he'd said, was looking for someone to provide effects.
Sypha'd been too stubborn to ask what the hell that was supposed to mean. So here she is, weeks in, spinning eerie fog across a stage while the Free City Theater Company put on their evening performance of An Aquilan Assignation.
A step down from defeating vampire lords with fire and ice? Maybe. But there's joy in using her magic to weave a story, to trap the audience in a bubble of suspended disbelief, to emphasize Marguerite and Sasha's tense performance of lovers searching for one another in a mausoleum. Depending on the scene, she might summon curtains of fire, buffet the actors with winds, or create a localized rainshower, all for three gold per week, a room of her own upstairs, access to whatever the Company had bubbling in the pot that night, and a troupe of entertainingly big personalities to distract her from her loneliness. Not a bad deal.
The fog rises, as Marguerite spins in panic. The minstrel positioned opposite Sypha, offstage across the way, calls up a jittering wail of strings that rises and rises, drawing the audience's anticipation higher until--
--She snaps her fingers open, palm up towards the ceiling, and a single lightning bolt cracks down from the rafters (and into a special grounding bolt set into the stage). Sypha grins as the seats explode in shrieks and gasps, exchanging thumbs-up with the minstrel while Marguerite wails over Sasha's body.
She'd like to see one of those fancy Free Cities machines pull that off.
2) At the Hall of Natural Relics
Cadens itself wasn't such a bad place to be marooned; all the answers she could ever ask for about this place, its people, its ways, were available behind the right doors! So many libraries, laboratories, academies and repositories of knowledge! For the price of admission, of course, a fee Sypha was in no position to pay just yet.
Ah, but here she found another similarity between The Free Cities and those she'd known in her own world; too few hands balancing too much work in those high institutions. Their tenured staff were desperate for assistance, and while there were always new academy students looking for a good opportunity, some work was below even them. Work like leading exhibit tours, folding pamphlets, overseeing schoolchildren on daytrips, and the like. That's where volunteers came in, driven by nothing but enthusiasm, paid in nothing but behind-the-scenes access to the inner workings of the establishment.
A fair trade for her day off, in Sypha's mind. So what if she wasn't from Abraxas originally, half the people in Cadens weren't from Cadens, and she could memorize a script as easily as anyone else. Better, with her eidetic recall, and genuine hunger to soak up the workings of this world. And on her breaks, or after her shift, she could page through the Hall of Natural Relics' archives, searching for references to the magic The Free Cities had seemingly grown beyond. By the end of her second shift, she had all the interpretive displays note-perfect. By the end of her fourth, the Outreach Supervisor signed her up to lead a few of the school groups.
Which is what she's doing now: guiding a class of fourteen -- no, fifteen, she'd better not lose one -- seven year olds through the Hall of Osteology (better known among the volunteers as the Bone Zone). Arranged throughout the echoing space were the fossilized remains of massive creatures once roamed Abraxas. Sypha's still getting her head around the very concept of extinction, but the arguments put forward in the books she's read so far are airtight. She shares them with the kids with a kind of macabre glee, waving her arms and shaping volumes in the air with her hands as she describes how Cadens was built on the floor of an ancient ocean, populated by the leviathans strung around them on bolts and wires. The children listen with open mouths until their actual teachers clap and summon them away for snacktime in the cafeteria, leaving Sypha to her break.
3) Dealer's Choice

2
But he is functioning. Gideon was the right person to talk to. Right person to drink with, letting the worst of his feelings out without fear of shame or rubbing against someone else's too raw memories. (He isn't sure what to do about that, so far as Geralt is concerned. Alucard's decided to leave that be for now, the man has his own issues to content with. He won't pile on and make it about himself.) That's left a blunted anger simmering under the surface, but one that lets him do more than work among ruins and howl when he feels the need.
It's why he's back at the museum. He can force himself to be in the vicinity of people without interacting with them, and it has forced him to not look like five pounds of garbage shoved into a one pound bag. He's had a bath, and he's gone so far as to pull his hair back and up in an elaborate braided bun. There's no overly gothic skeleton coat on him either today - only a plain black one, and he sits quietly near the Bone Zone (really now), admiring the mural that greets guests there. All of the creatures within, as they once looked, all on a monumental canvas.
Sypha's voice rings clearly across the hall as she approaches, along with a flock of younger voices. Alucard forces his shoulders to relax, and he angles his head away so that his face won't be seen. Just a blond sitting and looking at a mural.
And now a Speaker without her charges.
It was going to happen eventually.]
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--only to spin around and dash after them, waving a stuffed toy over her head. She'd noticed it earlier, hanging out of one child's satchel. At some point of the tour it must have jostled loose, or maybe the little girl had set it down beside a fossil display to keep the long-dead crustacean company. Who knew. Sypha runs past the mural, calling:] Waitwaitwait! Hold on, is anyone missing a friend?
[A few minutes later, she's trotting back to the Hall, minus one stuffed creature but richer a bracelet of colorful knotted string - a gift from a grateful seven year old. Sypha grins down at it, briefly buoyed, until she thinks of a seven year old's shoe. A single shoe on a plinth. A room full of cubbies, each with its own pristine shoe.
She stops, head bowed, the forefinger on her right hand looped through the bracelet around her left wrist. No, one small recompense can't make up for her past misjudgements. It would be wrong to forget that. And just as wrong to give up the effort.
When she lifts her face and shakes her hair back, Alucard's there, on the marble bench facing the deep sea mural. Of course, he'd been there the whole time, now that she thinks to look, but in that moment he may as well have been summoned from her own maudlin thoughts.]
Oh. Ah, um...
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[Alucard's not sure where to look or to turn. So he keeps his eyes ahead, observing the mural. It buys them both a little grace and freedom to collect their respective thoughts, as eye contact usually throws so much off.
The tone is mild. Not disinterested, but trying to be neutral for the sake of them both. It is selfish on Alucard's end - he doesn't want another spiral. Not when he's just barely started to pull out of his present one.]
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[Are they talking now? They're talking now. After yelling in her face and disappearing in a cloud of bats the last time! Sypha can't imagine he came looking for her on purpose; Alucard could have escaped her notice if this were a coincidence, yet here he sits. Then again, it's a public area, he shouldn't have to turn into a cloud of mist just because she's here.
An exchange of pleasantries, then?] Have you come here before?
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The great news is that because they're in public? He won't turn into bats. Or yell. Or draw attention to himself. The power of the social contract is great.]
Several, yes. It was helpful to learn about the place, especially after escaping Thorne.
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[She turns to face the mural. The way they're positioned now, she's standing slightly behind and to Alucard's left, just inside his periphery. She can't put herself any further into his eyeline without joining him on the bench, which he's given no indication of wanting. So. Sypha clasps her hands behind her back and hums thoughtfully. A mental map unscrolls before her mind's eye.] The northwest kingdom? Things seem tense on that front. Is that where you--
[Ah ah, pushy pushy. She can practically feel the ghost of Trevor's palm over her mouth, damn him.]
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2
I'm pretty sure some of those vertebrae are backwards.
[It's something he looks for. You make that amateur mistake on one night creature, and it's a life lesson learned. Monsters get cranky if you put them back badly.]
Still, I'd love to get my hands on a live one. How is it that they know they're all gone?
Sypha 'I'm so glad you asked!' Belnades at your service
What would that do to an aquatic mammal, do you think?
[At that frankly excellent question, she grabs him by the wrist and tows him over to one of the brass signs with embossed interpretive text, edges worn smooth and pennybright by hundreds of curious little hands.] It has to do with trophic cascades! Essentially, studying the size and population of other creatures in the same habitat, to identify how many and how large other predatory animals in the same network ought to be. The natural scientists think there's no niche that an animal this size could currently fill, because all the resources are going towards other creatures. Like how wolves can't survive in a forest without a healthy population of deer, and the deer will overpopulate and strip the forest bare without the controlling influence of the wolves!
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[He hasn't had a chance to work much with large aquatic creatures, so he can't say how it would impact its movements. Just that it would not be likely to enjoy the change.
Sypha won't have any trouble dragging him, since its in the pursuit of knowledge. Biology is fascinating. And the logic is sound. He nods.]
Yes, that would suggest there isn't a stable population of them. Still, I'd hope that deep down in the depths, one might still be lurking. The really weird wild things tend to find dark corners to hide in.
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[How strange it must be, for someone like Hector to wander through displays like this. Do the bones call out to him the way the elements sing to Sypha, or do they rely on his magic to find a voice? She has so many questions, starting with the term 'Forgemaster'.] Could you reanimate something this long dead? No flesh, just bones old enough to be stone?
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[Rocks and dates are far less interesting to Hector than dead things, so he's willing to accept the museum's methods for dating so as not to distract from the specimens themselves.
He squints at the bones, feeling with his mage's sense for any sort of spark of life still within them.]
Not with my preferred process. There's no life left to rekindle and shape. I might be able to reanimate the bones and puppet them like a common necromancer, but it would fall apart as soon as I withdrew my will.
[He frowns over the shape of the skeleton.] If I knew what it looked like whole, I might be able to recreate one out of newer materials. I did that with some variants of Night Creatures that were dying out.
THERE IT IS
But when Hector says 'Night Creatures', her breath catches in her throat. There's an outside chance this, too, is cross-communication, but...]
Night Creatures?
womp womp
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RIP Hector
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the bone! zone!
Ciri approaches as the children disperse, lead away this way and that in their little herds by schoolmasters of some sort and revealing a vaguely familiar form. It's been some time since their impromptu adventure in the desert, but Sypha is difficult to forget.
"The life of a haphazardly conscripted soldier at the Outpost not fulfilling enough for you?"
She knows by now the military hadn't actually insisted on any of the Summoned to stay, which honestly is just as suspicious to Ciri, that they'd simply summon people and let them wander off-- but right now, she's decided that's not really her concern. It's been a long handful of weeks. She's actually just here to observe the skeletons and learn about the ancient wildlife out of curiosity rather than necessity. It's a fascinating display, even if she's not a child.
Everyone loves the Bone Zone!
"I don't think anyone would call it the most intellectually stimulating career path, no," her smile goes a little wry around the edges. The way they'd just let her leave, after going through so much trouble to drag her there in the first place, after carrying on about how badly they needed the help, screams 'TRAP! TRAP!'. Some days the hairs on the back of her neck refuse to lie flat, other days she wishes for her old cloak and the security of its anonymous hood. Here, something like that would only stick out, so she slaps on a smile and carries on with her research despite the persistent creeping feeling down her spine.
"What brings you in? Wait, no! Let me guess! Looking for an edge on the native flora and fauna?"
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For now, Sypha is here. A hopefully more stimulating career path for her, if that is what she wants.
Ciri grins and shrugs, waving a hand at the displays in a vague gesture to encompass the whole museum.
"Would you believe I just wanted to learn about the fossils? Seemed interesting."
She is also doing her best to... lie low and not cause any more trouble, after she realized the city has put a watch on her. There's usually a guard tailing her whenever she leaves her home lately, and she is determined not to give them anything too interesting to look at.
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"Would you believe that, in this world, it's possible for entire species to simply stop existing?" she shakes her head, incredulous, as she walks backward into the Hall.
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"Yes. Why wouldn't I believe something like that?"
The concept of a race of creatures dwindling away into nothing is one that exists in Ciri's world, and she seems surprised that Sypha brings it up like some sort of fun fact. If she means they go extinct, anyway. The way she says they stop existing, maybe it's something else. Ciri waits for further explanation, staring at Sypha without much subtlety.
I am having too much fun with the fact that 'extinction' as a concept didn't exist in 1476!
oh wow, this is a fun fact!! ciri, from wacky Conjuction world like ... uh ok then
our earth really is the backwater of the multiverse...
i mean. stares out the window. yeah, that tracks.
/stares out own window at the political flags across the street/ yoooooooo
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Natural Relics Rally
The museum made sense as a spot to do a bit of rabble-rousing. It's a well-trafficked area, highly populated, and its status as a Cadens institution allows Goro to sprinkle in some nationalist rhetoric into his proclamations. So far, it's proven to be an effective recipe for getting people mad as hell at Solvunn. So Goro just did what he always does; he shows up, positions himself where he'll be visible (as if the giant made of fists who's biceps have biceps isn't noticeable all on his own), and began talking. A crowd is quick to form, and word spreads quickly, causing more citizens to rush to see Cadens' newest, most outspoken "defender" speak.
But the crowd of people at the museum's entrance have effectively blocked access or egress from the building, and the teachers are clearly uncomfortable at the idea of having to take their wards anywhere near Goro, who so far has either not noticed them or is simply choosing to ignore them (though some of the young men are clearly of the idea the Goro is just the coolest thing ever, come on look at him he has four arms nobody tells him to go to bed at eight MOM.)
"This museum holds within it the history of Abraxas!" A fist swings towards the building behind him. "A depository of knowledge by which the myths and legends of an ignorant and superstitious past were washed away! One day, Solvunn itself will have an exhibit here! They are a nation out of time, and they know it! The Free Cities have left them behind, militarily, culturally, artistically, every way that matters! Knowing this, they staged the Eifstide attack, in a vain attempt to turn back the clock, to wipe away progress and knowledge, to a world more suited for them to rule! A world of mysticism and barbarism! Will we stand for that?!" The crowd jeers, and Goro raises his fist. "WILL. WE. STAND. FOR. IT?!"
The crowd roars with barely-contained anger, and Goro's not done yet. Even his young admirers in the crowd are looking nervous now. Even the other museum staff seems a bit at a loss to do (or worse, might actually seem to agree with what Goro is selling). This is the situation that greets Sypha upon her arrival at the scene.
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Today though, a nervous buzz fills the main atrium when she arrives to turn over her volunteer badge. Where staff would normally be closing tills and reorganizing brochures, they're all clustered up by the main doors. A tight knot of people mill about, agitated, even though the doors are wide open. A teacher she'd just bid farewell stands at the head of a splintering line of children. Sypha exchanges uneasy glances with the other woman as she wades into the crowd.
She picks up on the situation faster than she can shove through the press of people. Whoever's speaking, they know how to project, and they're taking fantastic advantage of the museum forecourt's natural acoustics. By the time she's thrown her fourth elbow and freed herself from the crush, they've wound the crowd tight enough to snap.
It's a good thing Sypha knows a thing or two about projection herself.
"You talk a lot about progress for someone physically standing in the way," she calls out across the open space that always forms between an orator and their audience. Her voice cuts through the air like a windblade, and people fall out of its path. Suddenly she has a clear line of sight on the person behind that booming voice.
Was she expecting a four-armed giant with a topknot like a banner and seasonally inappropriate clothing? No. Has she seen weirder shit? Yes, though not much since arriving in the Free Cities. Sypha blinks once, shakes off her surprise, and plants her hands on her hips.
"The people who gather and protect that knowledge would very much like to return to their homes, if you please." The tone of her voice addresses everyone blocking the doors, but her eyes are fixed on the giant. People get up on soapboxes for reasons; she has to wonder what he'd hoped to accomplish here.
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"And we extend our thanks to the scholars of this great institution for their understanding and patience." He declares towards her, as though he had ever bothered to ask for permission, which he did not. "Please know that it is on your behalf that we gather today, so the people of Cadens, of all the Free Cities will know what is at stake. War has come to us, and we must be ready to fight and protect our most cherished values at all cost. As a scholar yourself, do you not agree, my dear?"
It manages to draw cheers, but there is also a sense of waiting, to see how this situation develops.
1
And yet, after Geralt was gone, and even after his return... his art is not coming to him. His lyrics are poor, his notes disjointed, almost irate in their sound. Even his lute seems to fight him, snapping a string in the middle of a simple practice of scales.
Though the need to feel something is so desperate, he does not expect to feel so much. The romance of it, strained and desperate; the gothic horror running underneath. The threat of the dead. (Too soon for that one, considering Eifstide. If you ask him.) And the effects! Storms and thunder that following the lifting anticipation of the music, or perhaps the musicians follow it instead --
By the end of it he is standing, clapping louder than others, hollering, and yes, crying. The release of it! The art! Gods, it makes a man feel alive again! (Even if it only lasts a minute, an hour, it's enough. It has to be.
He jostles his way through the crowd (read: shoving people out of his way) to grab the arm of someone who looks to be in charge of things. Richly dressed as himself, with glittering rings and coifed cravat, he could be mistaken for a true Cadens noble.] Sir. Sir! I must know your secrets. The storms -- those must be magic? Who here could be ever so talented? All I've met are bloody charlatans! I must meet them. It was absolutely spectacular.
[The volume of his voice may indicate he dipped into the Witcher homestead's stores of ale prior to his jaunt to the theatre, but he is no less serious about it.]
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Sypha's final task of the night is always the same: fitting a set of extremely delicate clockwork birds back into their special case. Her winds send them soaring across the stage in Act 2, when the lovers part, but the audience never sees the stagehands' effort to collect them without crumpling the filigree wings
She flips the clasps just as someone - the director, by the timbre - bellows her name. Sypha shoves her messy fringe off her forehead and trots over, fanning at the back of her neck. It's so stuff back here! Halfway through the scrum, she notices the two gentleman standing with him, both elaborately styled and bedecked in finery. One, she thinks, might be the Cat's proprietor, but the other..?
Her shoulders go back and her pace slows, equal parts self-possession and caution. Who among Cadens' elite would want to seek her out backstage?]
"--is Sypha Belnades, the magician handling the effects for our production," [The director's saying, as she reaches arms' length. Sypha fixes a polite smile in place and ducks her head in greeting.]
Yes, can I be of some help, gentlemen?
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The moment she's there, he completely loses interest in the show's director, giving him a half-distracted pat on the shoulder and a, Wonderful, thank yooou, which is probably one of his more polite dismissals. Look, he directed it, he didn't write it. Probably. And as everyone knows, writing is the most important part.]
You're the mage? [Gods knew he'd never thought he'd be excited to meet more mages, but brilliance cannot help but recognize brilliance. Ah. And what a sexy little accent.] Exquisite, your work. It's my first bout of theatre with such... such magnitude! I could not think to return home without seeing the mind behind the magic. Er. Quite literally. The way you manipulated that fog to move with the rising crescendo...
[He clenches a fist, bringing it to his lips. A true artist, especially when he's so often surrounded by those who do not appreciate it.]
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I am! [Sypha beams, pleasantly surprised that her magic caught more attention than the clockwork birds. Even she gets distracted by the technological advances Cadens has to offer, but perhaps a local finds them less compelling?] I'm so glad you enjoyed our flourishes, though half the credit for the atmosphere goes to Tomas, our musician.
[Her eyes crinkle in amusement at the stream of praise. It's effusive, and a little hyperbolic, but it doesn't ring false. The rich clothing and jewelry ought to remind her of someone like Saint Germaine, but he doesn't give off the same oily feeling. The enthusiasm is kind of a lot, but it strikes her as genuine.]
This was your first visit to the Cat? But you seem like such a connoisseur!
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Tomas! I'll have to give them a kiss as well. Astounding, really, the whole effect.
[Ah, she just had to go for the gut, though, didn't she? Not on purpose, of course, but it's hard to explain one has refrained from the threatre out of... ah, you know. Depression.
It sounds bad!]
I do highly enjoy the theatre, for sure, but I'm afraid I've been a bit preoccupied with throwing around my own name. Perhaps you've heard of me? The bard, Jaskier?
[He's certainly gotten around in Cadens, but despite what Mal may have recommended in the past, Jaskier was a one-man show. He did not offer his services to the theatre. Creative control was important to him, that's all. He brings an arm across his chest and gives her a sweep of a bow, then rises again with a slight wobble.] At any rate, I can't imagine this magic of yours is any new trick. You're a practiced mage?
[A rare bird in Cadens, in the Free Cities at all. And she was doing weather tricks for a play? There was no denying she may just be a patron of the arts, but... it was rather surprising, when he was so sure coin could be made easier elsewhere with that sort of power.]
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I AM SO SORRY this notif got lost in the sea of my inbox ;-;