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abraxaslogs2021-06-24 03:32 pm
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Recording #002 | June Log
WHO | Jon and OTA.
WHAT | DITL mostly, with a few starts in the comments. Feel free to run into Jon anywhere mentioned. He's flexing his Knowing, so if you're interested in dropping some knowledge, that'd be lovely.
WHERE | The Castle, Thorne, the Library, the Dungeon
WHEN | Post-Festival through the rest of June
Realizing that his connection to the Eye is whole again rather soured the end of the Festival for Jon. He spent a day behind the curtains in his room, enduring a headache, but now that's settled down to a mute throb, he's walking off the rest of it while he wrestles with himself.
It's not a surprise, this reconnection. Ambrose told him the respite would only be for a few days. And it's not explicitly unwanted. There are a lot of questions to which he needs answers, and he knows he can seek out those answers, but not without some cost. He knows he'll do it, since the information isn't only for himself. He has to work up the courage.
And he hasn't read a statement in over two weeks now, which is... troublesome. Despite taking full advantage of the dining hall daily (okay, nearly daily), he's aware of a constant vague hunger.
So the walking is as much distraction as exploration. He's going to wear out his sandals pacing the corridors of the castle and the aisles of the library, walking out into the town. He mostly confines his town visits to mid-day, when folk are often too busy to waylay an "honoured guest."
WHAT | DITL mostly, with a few starts in the comments. Feel free to run into Jon anywhere mentioned. He's flexing his Knowing, so if you're interested in dropping some knowledge, that'd be lovely.
WHERE | The Castle, Thorne, the Library, the Dungeon
WHEN | Post-Festival through the rest of June
Realizing that his connection to the Eye is whole again rather soured the end of the Festival for Jon. He spent a day behind the curtains in his room, enduring a headache, but now that's settled down to a mute throb, he's walking off the rest of it while he wrestles with himself.
It's not a surprise, this reconnection. Ambrose told him the respite would only be for a few days. And it's not explicitly unwanted. There are a lot of questions to which he needs answers, and he knows he can seek out those answers, but not without some cost. He knows he'll do it, since the information isn't only for himself. He has to work up the courage.
And he hasn't read a statement in over two weeks now, which is... troublesome. Despite taking full advantage of the dining hall daily (okay, nearly daily), he's aware of a constant vague hunger.
So the walking is as much distraction as exploration. He's going to wear out his sandals pacing the corridors of the castle and the aisles of the library, walking out into the town. He mostly confines his town visits to mid-day, when folk are often too busy to waylay an "honoured guest."
Closed to Stephen Strange
It's here that he's chosen to try to be a little selfish, to reach out and see if he can know something, anything - anything at all - about what he left behind.
So he puts his back against the tree, shuts his eyes, and takes a deep breath like a diver about leap, before letting that door to the absolute ocean of knowing open just the smallest, smallest bit.
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But there are still things to be learned. Thoughts to be had, plans to be made. So Stephen spends the majority of his time falling back into his original habits, spending his time between the library, the study halls and the prison. It's approximately the same schedule as he'd kept before with only one major addition: he has his own magic back.
The location is never set. He finds a new corner every few days, somewhere somewhat concealed where he can cast without amassing a regular audience or meditate without too much ambient noise. It's on a quest for one such place that he steps out into the courtyard— and stops.
There's something here. Or maybe something somewhere adjacent to here, in the gaps between the here and there. An unshakable feeling of being watched, being seen - and somehow also of being overlooked - that can surely have nothing to do with the man minding his own business beneath the tree, the only other person here... except it seems inextricably linked to him. The uncomfortable sense emanating out from a central point.
Stephen watches him for a handful of moments, taking in the rest of the courtyard too, trying to get an idea of what that oppressive feeling could be and where it could be coming from. Maybe the tree itself? Maybe something native buried beneath the flagstones? But the simplest explanation is almost always true, so eventually he breaks into the peace of the little courtyard to ask,
"Are you happy to share? I could use somewhere quiet."
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And It Knows You looks too.
Overlooked becomes overseen in a heartbeat, sharp as the focus of a laser, and so hungry to Know. Jon's breath catches, almost a sound of pain, and he clenches his eyes shut, pressing his back hard against the tree, and wills that door shut again, with an effort that leaves his face ashen and his breath shaky.
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Angry, violent plains of open void, speckled with great cell structures that swell and pulse, colour cutting through dark space like fractal knives of purple and green as angry clouds of starstuff loom. A face that appears from the darkness, roiling, a gargantuan mask of living rocklike stripes that eddy in waves, two piercing eyes of flaming purple set within them.
He doesn't know what it is when he sees it that first time, but he remembers that journey through everywhere as he returns here later to bargain with that vast entity. Dormammu of the Dark Dimension does not take that kindly, and for it Stephen dies. And dies. And dies. And dies. He bats away flaming rock with sacred mandalas until there is too much to keep at bay. He's engulfed in beams of boundless power and disintegrates to nothing. He's pierced through from every angle by spines of planet rock.
He loses count of the times. Of the ways. Time resets, he dies again, time loops, the spell holds. He hovers once again down from one swollen cell of land to another to face the glowering godthing, offer his bargain, and await an imminent demise.
There's a shift. Pronounced, dramatic, and immediately evident in the look on the stranger's face, the little noise he makes that can't have come from nowhere. There's a struggle going on in the man in front of him, however brief, and when it's over it leaves him looking — unwell.
Stephen's not sure what he'd felt. But there was a marked difference in the sense of the space between eyes closed and eyes briefly open. Before was standing far below someone looking out a window, a general sort of watched that only includes you because you're standing in the scene. Peripheral. The latter was something closer to a spotlight on a dark night, a breath down the back of the neck, the inevitability of being perceived.
Being looked at doesn't do that. Not with one pair of human eyes. His expression pinches into a faint frown, tight with opposing concern and caution.
"Is that a no?"
There's a blunt edge to the question, dry humour devoid of it's usual play. He doesn't move to help, stands rooted to his spot, waiting for whatever might follow. Unsure exactly what it is that he's walked in on.
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Around town
Coraline's been practicing with her Glamour a little, hoping that exercising her limited magic potential will help it come back fast enough to be useful, but she's found fairly quickly that at the very least, her Blessing are already usable. Which means among other things, she's nearly perfectly invisible against the trees scattered around the town, even in hew new, fitted uniform; her bark skin and hair shifted to match, so when she spots Jon her skin has the uneven orange-ish scales of pine, and her hair is whip-like branches with thick layers of rich green needles.
She's not immediately noticeable at a glance, from her precarious seat on a branch above head height - most things don't look up, she'd learned very early on, when they're actively searching for something - but when she sees Jon walking underneath it's too tempting not to harass him.
"You look like shit." Eyes of nearly pure yellow - perhaps a little paler on the iris - gleam down at him from the gloom of the tree's shadowy interior, narrowed in an amused grin.
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"I would too, with camouflage like that. If I liked heights."
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"Yo," she calls out, pushing herself up to sitting, one tawny hand held up to shield her eyes from the bright, unaccustomed glare of the sun, "you're gonna wear a hole in flagstones if you carry on pacing like that."
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"I saw you sparring at the Festival, right?"
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Perhaps he's about to say something nice about her, and so here she is, all ears.
Room 7
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It just doesn't connect that it's out of place. Not for days.
And when he sees it, like really sees it, it's all he can see. Because it doesn't belong here at the castle, with the well-water and the goats screams. Which, who knew goats screamed that much?
"What in the hell?"
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Yes, he knows what.
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And Homelander stabs a finger in the general direction of the tape recorder. "What the hell- how did they get that here and yet they can't seem to- you know what, I'm going to have a stern word with those lying mages."
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He'll move on until the next time he has a chance, when Jon's in the room, he'll point to it and ask-
"Jon, may I ask... about that?"
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And sighs deeply.
"Those just... show up sometimes. It might turn itself on. Just turn it back off if it does."
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Coraline has no hesitation or qualms about other people's property when she spots it, and picks it up so she can sit with it on Jon's bed and press play.
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Or is it?
Maybe, if she listens to it when it's very quiet in the room, there's the faintest hint of a male voice, but it's so eroded as to be unintelligible and unrecognizable.
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Library
Buried in dusty brick-like books of case law and legal theory, Phoenix perks when he notices the man pass again. He props his head on his fist, offering a tired but friendly smile.
"Hey there. Are you looking for something in particular? I keep seeing you here."
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He lets himself come to a stop, looking around briefly to note where in the library they are.
"No, not in particular. Pacing, mostly." Taking a step closer, he looks over what Phoenix has spread out. "You look like you're moving in."
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Phoenix is a lawyer. A badge that looks like a sunflower with the scales of justice at its heart belongs on his lapel, but it's not there. He's more accustomed than he'd like to people being thrown in prison for flimsy reasons and authorities being reluctant to allow them out. His job is built around creating ironclad proof of a person's innocence in three days or less.
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WILDCARD
The door is unlocked because it's late and almost time for bed, and because no one in Thorne would dare to bother him without knocking anyway.
"Tomorrow," he says when he hears footsteps coming closer, "Whatever it is, leave it 'til tomorrow. I'm getting a good night's sleep for once."
July 4
Once Jon decided on this course, there was little to it. It took very little effort to take directions to this room, and be told when it would be occupied and might be open. Almost effortless. He doesn't make the mistake of assuming his actual goal will be easy.
Which is why he doesn't introduce himself, or apologize for his presence. The first words he says to Ambrose's back are weighted, laden with the presence of the Ceaseless Watcher, a sudden pressure in the room. The feeling of being seen, of being exposed, of all your secrets laid out to be picked clean. His voice tolls like a bell.
"Tell me the reason we all have been brought here. The true, full reason. Spare no detail."
The pressure that accompanies his question is not from Jon Sims, but comes through him like the ocean through a keyhole - a fierce beam of influence. If unimpeded, it won't allow for evasion, for incompletion, for obfuscation, or for anything but a clear, full answer of the spirit of the Archivist's question. A Statement.
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He can almost respect it beneath a layer of disdain, but what frightens him is the fact that whatever Jon has done seems to be working. Not to the extent that the Archivist is used to as Ambrose still has some modicum of control over what he's saying and what he really wants to hold back, but it is working nonetheless.
"Have we not treated you well? Have we not granted you all the luxuries the palace has to offer? Ungrateful. I've set my life on the line for the lot of you," he says through clenched teeth, "You're here for our world, your world, and all worlds. The Singularity is what holds us all together and yet it isn't inherently good, not like those fools in the Commune would lead you to believe. It needs to be studied, and we need to direct its energies. Tame it, if you will, to preserve us all. The Commune would leave it to its own devices and let it devour us. The Cities to East and their reckless leader would destroy it outright and turn all worlds to dust. We've been at this stalemate for centuries now, but you and yours could turn the tides.
Only you outsiders can truly harness its power. Do you have any idea how lucky you are? You can approach the Singularity, touch it, soak it in. Gods, I'd give anything to be in your place, but if I set so much as a toe over the line it would end me. We are its hosts, and yet you are its favored."
He sneers, his long nails digging into the wood of the table as he tries, in vain, to hold his tongue.
"We tried this once before, many thousands of years ago, and the results were a disaster. But I've refined the spell and am not as careless as my predecessor, who refused to imprison or eliminate his mistakes. I admit I was overly cautious in my initial judgements and have been willing to listen to reason and release some of the prisoners.
You, on the other hand, seem to be a rare slip-up in the other direction. I was looking for a Gertrude, anyway, but thought you'd do well enough. My mistake. Even the High Mage must be humbled every now and then."
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