Michael Ralston (
brittlest) wrote in
abraxaslogs2021-08-09 05:10 pm
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Who: Michael Ralston & Various
What: Catch-all for August
When: post-Horizon, but will probably use this space as I see fit throughout the month.
Where: Castle Thorne
Notes: Feel free to hit me up on discord or plurk if you want to plot something or want a ~*~bespoke~*~ starter. Prose or brackets are a-okay; I'll match your preference. See Ralston's optional opt-in info HERE.
THE CASTLE.
WILDCARD.
[You know the drill. Feel free to hit me up on disco or plurk if you feel moved, but I can roll with pretty much anything.]
What: Catch-all for August
When: post-Horizon, but will probably use this space as I see fit throughout the month.
Where: Castle Thorne
Notes: Feel free to hit me up on discord or plurk if you want to plot something or want a ~*~bespoke~*~ starter. Prose or brackets are a-okay; I'll match your preference. See Ralston's optional opt-in info HERE.
THE CASTLE.
There is a man in Castle Thorne who walks with a cane and has made little effort to seek out anyone's company. By all accounts, he is easily missed and cuts a fairly unremarkable figure—he is neither particularly tall or short, nor especially good looking or plain. In fact if not for the tell-tale tunic and trousers and a penchant for haunting the guest quarters, he might be easily mistaken for some servant or native of the castle who is only as interested in these out-of-world travelers as he is employed to be.
And yet—
[A] Here he is, making use of the library available to Thorne's 'honored guests'; he has rooted his way to some back series of shelves, and is presently standing at the foot of a ladder clearly doing the mental math on scaling it to reach an upper series of books when movement at the end of the stack draws his attention. Ralston snaps his fingers at whoever has had the distinct misfortune to cross paths with him, saying,
"You. Step this way for just a moment."
[B] Or he is in some quiet courtyard available to Thorne's guests, sitting on some bench in the shadow of a high stone wall where the air of the day is most temperate. He has an orange in hand, and is peeling it slowly with every appearance of waiting for someone. Ralston's dark eyes search out any figure who happens to pass across the yard. If he happens to recognize them as either an ex-prisoner or someone who has demonstrated a particular talent for the little magic spells being taught by the Thornean mages, he will whistle to get their attention and motion for them to come closer. Worst comes to worst, he might flick a bit of orange peel in your direction to clarify the urgency of his demand for conversation.
[C] Or, rarest and strangest of all, Ralston might be found in some part of the castle where he shouldn't be. Perhaps it is a merely a rarely used back staircase, or a quiet corridor in some wing of the castle which guests have ostensibly been discouraged from visiting, or he is quietly letting himself into a room in which he has no business being.
WILDCARD.
[You know the drill. Feel free to hit me up on disco or plurk if you feel moved, but I can roll with pretty much anything.]
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Ralston shifts the narrow pane in the window to let some breath of air in regardless. If this works, he will find himself sitting in a dreadfully still room while Kirigan treads some distant plane more or less at his leisure. He may as well make the work a shade more pleasant for himself if able.
"I suspect you'll have to make yourself comfortable," he remarks, and then dredges a little table sideways to block the door. Oops. How did that get there?
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"Hitting my head on the floor might make it easier," he says to his bed, leaning over it to brush down the linen, as though it isn't already as neat as can be. He hates this little room. He hates sharing this little room. He hates having to perform regular humanizing functions, such as sleeping, in front of anyone not of his choosing. True, he's slept in places far worse than this—worse than that wretched dungeon, even—but as far as he's concerned, he's earned his comfort a thousand times over.
The beds are turned down for them, at least, as they should be.
That done, he slips off his shoes (more slipper than sandal, the closed toe preferred, why should just anyone be allowed to see his feet) and climbs in to sit. Placement of the pillows between his back and the headboard requires a little more fussing, but soon enough he has indeed made himself comfortable, legs folded and all.
"I trust I needn't encourage you to mind your manners while I'm... away." Or whatever.
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He makes himself comfortable there. The borrowed cane is hooked at the footboard's post; he crosses his leg, ankle over knee; if there were a clock on the nonexistant mantle of this neat little room, he might take its measurement now.
"I promise not to turn your limbs toward any embarrassing arrangement."
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"You will not touch me for any reason," he says, with a sudden severity that may seem incongruous to his restful posture until one notes the closed fists resting on his knees, knuckles up. "Is that clear?"
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And then it's tucked away, made hidden or erased as quickly as it had manifested. Aware enough of himself to be cognizant of his own vulnerability, Ralston adopts a sneer in its place.
"You may rest assured that I've no interest in laying my hands on you."
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And that's the last of what he says before making himself tranquil by rolling his shoulders, giving his head a little shake—less birdlike than if he were to nestle down into the thick fur-lined layers he so often wore in Ravka, but not by much. The awareness of his own fists seems to come on a delay, as after a moment of silence he stretches his fingers wide, turns his wrists, and leaves his hands newly relaxed where they lie. Last of all—even after the deep breath that seems like it ought to be final—is the brief flexion and scuffing of his toes. Then he is still.
After not too long, his jaw loosens behind his lips, his spine loses its formal stiffness, and he seems to relax against the headboard.
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One might expect it to be a natural state for him. After all, what are years spent in a dark place good for if not perfecting a man's ability to be idle? To say nothing of Ralston's habit of depositing himself in chairs for hours at a time or his practiced disdain for anything resembling being made to romp through the countryside.
But this is a different thing. Sitting at the foot of that bed, watching the tension ease of out Kirigan's body, he is aware of some prickling of irritation—a sulky resentment that is so childish that it's difficult to master. Jealousy for the thing that Kirigan is reaching out to. Balking resentment for being told what to do. Restlessness, in the way that caged animals often are. A long time ago, he had been that prone creature looking out and someone else had been in this role he keeps now. How loathsome it is to slip so easily into the space left behind by her.
He waits, his foot in a soft shoe rocking quietly from heel to toe and back again in a quiet restless rhythm. And looking closely as he does, there is something which creeps at Kirigan's edges that he can nearly parse. A dull shape. A point of pressure which slowly extends from the general to press like a thumb somewhere at Ralston's awareness.
"Kirigan," is a soft call. Can he hear him?
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He can, less distantly than it appears. How tempting it is to sit still until it seems like he's deserted his body, while really waiting in ambush for the right moment to open his eyes into glittering black slits of judgement. But Ralston is likely to know the difference—he can sense these things. And the Singularity's call—that is very real. And so, grazing the cusp of departure, he decides he will slip away, but stand in the Horizon only long enough to count to ten. That seems to him a sufficient compromise. And so he does.
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That sense of pressure gives—not dissipating, but cracking outward so the thing it holds inside can come out of it. A seed pod with something growing out of it. The widening of an aperture which allows light come through. To call it a thing which hooks and pulls would be inaccurate; but it is there, living and real. Present and close in a way few things are. And it's like he is standing once more on this side of that portal to which they'd been walked to those many days ago, sweat prickling and an ache in his marrow and the thrill of the Singularity waiting on the other side; only here in this quiet little room, it's Kirigan who has opened the easy way through to it.
How simple it would be, he senses, to slip quietly along to that place in the other man's wake. He memorizes the shape of it like it is a map. As if following it is a simple matter of remembering and not—
He doesn't stir from the foot of the bed. He doesn't touch him. But after a brief thrumming span of time, Ralston commands: "That's enough."
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the Darkling gazes up at that strange monument from the very foot of it
fifteen, eighteen,
and lays his hand upon it, just to see. The spark that meets his touch first buzzes, then melts into a yawn, impossibly wide, a vast and ancient thing that first pulls his face slack and then creases it with something like strained recognition—
and still his face, his body, they do nothing.
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A sharp, ineslastic jab to the general's shoulder.
(It's too far for Ralston's hand to reach, but is well within range of the cane he's fetched back into his hand.)
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—just in time to be welcomed back to his body by a gentle stabbing. Almost before he's opened his eyes, he knocks the stick away with a blind, boyish, elbow-first gesture that can only accurately be described as flailing. Just the one flail. Immediately afterward, he collects himself—which means, in part, giving Ralston a cross look.
"Hilarious."
Technically complying by not using his hands, wow, incredible. Fucker. (Kirigan would've done precisely the same thing.)
"What happened?"
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(It would be easy to lie. You spoke; you called out; someone tried the blocked door and I thought to bring you back because of it. Something to legitimize his impatience.)
"You tell me."
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"I was there." Obviously, he doesn't say; he pauses, actually, and rubs his thumb once across his fingertips, recalling a sensation. "I touched it. The monolith."
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"Was it as you remembered? Did it answer you?"
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He flicks an offhand gesture at Ralston: up. Get off the general's bed. The general himself remains seated, meanwhile, and goes on to say,
"It looked the same, but the way it felt... it reminded me of something from long ago." Longer than one might guess, looking at him—but this, what they call the making at the heart of the world, is older than old. It is the first thing. The first of anything. And he could say all this to Ralston,
or
he could say, shittily, "I'd try to describe it, but you really ought to lay your hands on it. If you're interested."
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Click. Leaning on the cane, Ralston straightens fully—or as near to it as he ever bothers with.
"Then the next time you go, I'll follow you down." Simple. Bristling. He didn't care to remain seated there at the foot of the bed like a faithful pet anyway.
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"And how will you do that?"
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"Your passage into that place clarifies the way forward. The door stays open behind you."
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He means it, according to the attentive movements of his eyes.
Ralston sounds as if he's done this before. Or something like it. But perhaps he's just extraordinarily adaptable—a fine quality to have, and one Kirigan expects of all his favoured Grisha. This stranger is turning out to be useful in unexpected ways, and the more this continues, the more firmly he resolves into a person-shaped thing with details worth examining.
"Is that all it would take? Another traveller nearby?"
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Incredible, how loathsome that word can be under the correct circumstances. Ralston lifts his chin so he might return Kirigan's examination with a study of his own down the length of his faintly crooked nose.
"How should I know? We've only just begun."
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"So we have."
These people, the people of Thorne and all those they love and all who might defend them, will come to regret what they have done. The pleasure he takes from this thought is that of a child closing his hand around a pebble, smooth and dark.
Ralston's reward: a momentary indulgence.
"Sitting up or lying down?"
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There is a narrow chair which he frequently makes use of, much to the detriment of anyone else who might care to sit somewhere other than at the edge of their bed. With a disparaging sniff, Ralston shifts in pursuit of it now—dredging it around by its arm like a sullen child so that when he sinks down into it, he is facing Kirigan rather than some alternative.
(Though it hardly matters. He doesn't need to see him to sense his progress.)
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While settling in place, he murmurs, "You should be so lucky." Despite the timbre of his voice, which flows with a warmth not at all out of place at his bedside, the amusement it carries is unmistakably mocking. Right after, he clears his throat to banish it.
"We'll meet in the centre. There's a woodland nearby—stay clear of it."
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"Don't tell me you've elected to protect someone's things while they're away. How shockingly sentimental, General."
This, as he settles into the depths of the chair with such devotion that it's as if he's willed himself to become a part of it.
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